Exploring the Found-Footage Horror Genre: A Look at "Shelby Oaks"
It has been 26 years since The Blair Witch Project revolutionized the found-footage horror genre, a movement that arguably traces back to 1980’s Cannibal Holocaust. Over the years, numerous films have ventured into this territory, with varying degrees of success. The latest entry is Shelby Oaks, a film that blends found-footage scares with mockumentary elements and traditional narrative storytelling.
Written and directed by YouTube movie critic Chris Stuckmann, Shelby Oaks opens as an unsolved-mystery documentary—a format that has gained immense popularity on streaming platforms in recent years. The story follows Riley (played by Sarah Durn), a YouTuber known for her supernatural investigation videos, who mysteriously vanishes while exploring an abandoned town in rural Ohio. Over a decade later, a documentary crew interviews Riley’s sister, Mia (Camille Sullivan), who is determined to uncover the truth behind her sister’s disappearance.
The Chilling Premise of "Shelby Oaks"
The plot thickens as chilling details emerge: Riley’s ghost-hunting crew was found brutally murdered in a remote cabin, and eerie shapes can be seen lurking in the background of Riley’s last known footage. Stuckmann effectively captures the essence of a real documentary in the film’s opening, hinting at an engaging ghost story told through a modern lens, with the backing of renowned horror producer Mike Flanagan.
However, the film takes a drastic turn when a shocking incident unfolds during the documentary filming, leading to a departure from its original format. Stuckmann shifts the narrative towards a more traditional horror style, reminiscent of the unsettling atmosphere created by films like Hereditary. Mia embarks on a solo quest to explore the dark past of Shelby Oaks and the surrounding region, known as Darke County.
While there’s no indication of Stuckmann’s intention to create a cinematic universe, the name "Darke County" raises eyebrows, evoking comparisons to failed franchise attempts like Universal’s Dark Universe. Despite Stuckmann’s claims that he has no such plans, one can’t help but wonder if there are aspirations to further develop this world in the future.
A Journey Through Clichés
As Shelby Oaks progresses, it strays further from its promising start, increasingly leaning into clichés and tired tropes. The dialogue feels stilted, and the storytelling lacks depth. Although there are some stylistic touches that stand out—such as smooth camera movements and sudden shifts from day to night—these elements often echo techniques seen in other recent horror films.
The influences in Shelby Oaks are apparent, ranging from contemporary hits to classic horror. A witchy character, portrayed by the talented Robin Bartlett, brings to mind iconic performances from films like Hereditary and Rosemary’s Baby. The film also employs jump scares typical of the Paranormal Activity franchise, but these moments become predictable and lose their impact, especially with Stuckmann’s overemphasis on building tension.
The balance between homage and pastiche leans heavily toward the latter in Shelby Oaks. As the film races toward its convoluted conclusion, it becomes clear that the initial concept lacks the originality needed to stand out amidst the barrage of familiar horror tropes. One can’t help but wonder if Shelby Oaks foreshadows a future where artificial intelligence could create similar cinematic experiences—full of clichés yet devoid of genuine creativity.
A Personal Touch Lost
Reports suggest that Stuckmann drew inspiration from personal experiences, particularly regarding his sister’s excommunication from the Jehovah’s Witnesses. However, this emotional depth fails to translate into the film, with its portrayal of grief and the occult feeling formulaic and uninspired. The initial promise of Shelby Oaks devolves into a compilation of worn-out horror conventions, leaving viewers frustrated.
While it’s commendable that Stuckmann has ventured into filmmaking, a more critical approach to his own work could have led to a more distinctive and engaging film. Instead, Shelby Oaks emerges as a cumbersome amalgamation of borrowed ideas, lacking the originality to set it apart in the crowded horror genre.
Final Thoughts on "Shelby Oaks"
In conclusion, Shelby Oaks offers an intriguing premise but ultimately falls short of delivering a fresh take on the found-footage horror genre. As it meanders through familiar territory, it serves as a reminder of the challenges faced in innovating within a genre rich with history and expectations. Fans of horror may find some entertainment value, but whether they’ll feel compelled to revisit the world of Darke County remains uncertain.
